Tag Archives: develop film

Learn to develop your own negatives in the darkroom

Announcing: Film Development Workshop, Sunday 17 November at 13:00 in Berlin!

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Analog Photography Berlin is pleased to announce The Real Hipstamtlc workshop on Sunday, 17 November at 13:00, where you can learn to exposure and develop your own black and white film!

We will spend an hour or two discussing the basics of exposure and the key differences between digital and analog photography, then we’ll go out and shoot in inspiring Friedrichshain. Coming back to the lab, we’ll warm up with some tea and then start developing film in the darkroom.

By the end of the day, participants will have exposed and develop their own film, and can take their negatives home with them!

The workshop will last between 6 and 7 hours. Participation fee is 20 euros including materials – film, chemical, coffee, tea, beer…

see you there!

Workshop participants enjoying the world through a twin lens reflex camera

Workshop participants enjoying the world through a twin lens reflex camera

The velodrom in Friedrichshain, Berlin. Shot on a disposable black and white camera

Learn to Develop Film, Friday 1 November 13:00 in Berlin!

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Always wanted to learn how to work in a darkroom? Your chance has arrived! Learn the basics of black and white film exposure and development in a workshop in Freidrichshain, Berlin on Friday 1 November at 13:00. The Real Hipstamatic workshop is a chance to learn the basics of exposure, shoot on film, and learn to develop black-and-white film yourself in the darkroom.

Ready to Sign Up? Just send me an email.

All details are available here. Each workshop costs 5 euros (materials fee) plus a suggested donation of 15 euros to keep the water running. The workshop runs 6-7 hours, and is lots of fun. There will be coffee for the beginning and beer for the end.

Questions? Send an email. More information is available here,

Sign Up for a Film Photography Workshop on Friday 11 October in Berlin

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The velodrom in Friedrichshain, Berlin. Shot on a disposable black and white camera

The velodrom in Friedrichshain, Berlin. Shot on a disposable black and white camera

It’s workshop time! This Friday, 11 October there will be a workshop introducing black and white film photography at 13:00. We’ll go over the basics of exposure, then go out and shoot for an hour or two. Afterwards we’ll develop negatives in the darkroom and then “scan” the negatives so you can see the fruits of your labor. The full workshop description is here. Spots are filling up! If you miss this session, your next chance will be in November…

Ready to Sign Up? Just send me an email.

See you on Friday!
Adam

loeschwasserein-post

Film Development Workshops at Social Media Week Berlin

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The film development workshops at Social Media Week Berlin were a huge success. There was a lot of interest in the sessions on using a smartphone to digitize and post negatives, and of course in the workshops on developing film in the darkroom.

Here are some photos from the workshop in the park, nothing like a grafittied-up old thing lying around to make for a good climb. Climbers-Post

If you missed us during SMW Berlin, the next workshop on film development is this Friday, 11 October at 13:00. You can sign up by sending me an email.

Workshops on Film Development
Here’s the kind of thing we were doing. We walked around the neighborhood in Friedrichshain-Berlin for an hour or two with cameras. This photo is shot on a Holga camera, Rollei RPX 400 film. After getting back to the lab, participants were introduced to the lab. The whole process of film development was explained – and then we did it. After a beer pause of waiting for things to wash a dry, we took the negatives out to have a look.

The upper shot is photographed on a smartphone. We laid the negatives flat on a viewing table and photographed them. After that, we could crop and apply filters in-camera to make it a positive image. That is the lower shot – the finished product, ready to be shared, posted, whatever.

TreesHolga-Post

 

Like what you see? Please Share/Post/Like etc. You can sign up for a workshop by sending me an email.

 

Film Recipe: Fuji Acros 100 in Rodinal 1+50

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Fuji Acros 100 in Rodinal 1+50 at 20C for 11 minutes

Fuji Acros 100 in Rodinal 1+50 at 20C for 11 minutes. 

Film Recipe: Fuji Acros 100 in Rodinal 1+50 at 20C for 11 minutes, constant gentle agitation for first minute, 2-3 gentle inversions every minute after that.

This recipe for black and white film development in the darkroom is one of many in a series. Readily available films and developers have changed over the last few years, and this is intended to be an up to date selection of recipes. 

Fuji Acros is a fine grain black and white film with very subtle grays. Rodinal is a very stable film developer, inexpensive and comes in liquid form – it is an old guard film developer, generally producing an extraordinary tonal range but often a sharp and grainy result.

The combination of Acros with Rodinal gives a broad and extremely smooth tonal range, but relatively large grain – considering how smooth the film can be. The film is rated at ISO 100, but some shadows are lost here if the sun is shining bright, as in the picture of Teka at a festival.  Consider overexposing by 1/3 – 1 stop in blazing sunshine.

The image is a scan of a black and white print on Fomaspeed Glossy RC paper, developed in Adonal.

 

 

 

Film Recipe: Ilford HP5+ in ID-11

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Tempelhof Airfield, HP5 + ID-11 1:1, 11 min. with constant agitation

Film Recipe: Ilford HP5+ 400 in ID-11 1+11 at 20C for 11 minutes, constant agitation.

This recipe for black and white film development in the darkroom is one of many in a series. Readily available films and developers have changed over the last few years, and this is intended to be an up to date selection of recipes. 

This is my go-to film and developer combination, as it is for many film photographers, with good reason. One of the advantages of film photography over digital is the extraordinary tonal range which film can record. And Ilford’s HP5 is one of the best at doing exactly that. The result is a relatively low contrast negative, but you can always increase the contrast later when printing. Getting information onto the negative is a crucial step in black and white analog photography, and this combination of developer and film will effortlessly do exactly that.

The downside of HP5 with ID-11 is grain. This isn’t a fine-grained combination, and it is too much for some people. That makes this combination a better choice as a  medium format black-and-white film than as a 35mm film. I use it for both, knowing that the final photograph will have a different feel.

Develop your own Black and White film

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The first step to working in a darkroom is learning to develop your own black and white film. Sure, you can bring your exposed film to a shop to be developed, but you loose a lot of control – and it is very expensive. The chemistry costs about a dollar or a euro for each roll of film, you get to try out lots of things, and its fun. Working in the darkroom is sometimes like cooking and sometimes like baking, but it is always like being in the kitchen, except the lights are a bit dimmer.

The main piece of equipment you’ll need to develop your own black and white film is a development tank. You can get one from Fotoimpex in Germany or Adorama in the U.S., for $30. You can also buy larger or more expensive film tanks from Jobo or Paterson, for hand development I like the cheaper version because it is often easier to get the film on. A thermometer is needed too, because the chemistry should be quite close to 20C/68F. Then you need a developer (ID-11 or Rodinal are good for getting started), a stop bath, and a fixer.

The most important thing in developing your own film in the darkroom is consistency. For example: it is OK if your developer is half a degree warm, as long as it is always half a degree warm. Your negatives would be more contrasty than “normal”, but you could reduce the time instead, or print differently. Also, you have to load the film in complete darkness. Red light will destroy undeveloped film, too.

If you are going to shoot film, learning to develop your own film is a joy, economical, and gives artistic control.

Get More from Film: Medium Format Black and White Film

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My grandpa's Rolleiflex, from the attic.

My grandpa’s Rolleiflex, from the attic.

The easiest way to get more out of black and white film for your darkroom experimenting is to use medium format film. Medium format is sold as “120 Roll Film”. Developing medium format film in the darkroom is the same as 35mm format, but the film is way broader, making it easier to handle. If you have a developing tank big enough to handle two rolls of 35mm film, it can probably handle one roll of 120 film.

Different cameras give you a different size negative, and different format. The classic medium format size is 6x6cm (2 1/4 square inch), which you get with most Rolleiflex and Hasselblad cameras. Or with a Holga. Mamiya makes a bunch of cameras that shoot 6×4.5cm or 6x7cm. There are plenty of others. A Holga is the cheapest way to jump in the game. A few weeks ago I bought a perfectly functional Rolleicord (6x6cm) for 40€ from a shop.

Why medium format? Because the negative is bigger, way bigger. Going from 35mm (2.4×3.6mm) up to 120 (say, 6x6cm) roughly triples the size. If you are thinking digital, it is not at all like going from a smaller sensor to a larger one. It is like tripling the number of megapixels and sensor size at the same time.

I enlarge ISO 400 negatives shot on HP5+ in my darkroom up to 30x30cm all the time and get no grain whatsoever. Perfect resolution. This gives you a lot more room to play. If the exposure is off, or there are a lot of highlights or shadows in your picture, you can get more out of the negative without loosing quality. It like shooting with a state of the art digital camera. Indeed, I find I can get more tonal range on HP5+ film shot at 400 than I can with my Nikon D800 at 400, similar to what I get shooting digitally at 100.

Shooting medium format film is a fifty dollar solution to get a lot more room to play in the darkroom. You could buy hundreds of rolls of medium format film for the price of a digital camera with a similar resolution…